Well, it'd be more accurate to say that they pretend to ride on horses while their servants provide the coconut-based sound effects. King Arthur (Graham Chapman) and his Knights of the Round Table ride off in search of the titular goblet. It also comes coupled with a documentary, They’ll Love Me When I’m Dead, which is just as endlessly fascinating and re-watchable as the source material. It’s a fantastic pastiche of modern and classic cinema, and is Orson Welles giving something new to the medium he dedicated his life towards.
#New movies streaming now movie
Not only is this a piece of movie history (having previously remained incomplete after Welles’ death), The Other Side of the Wind is unmissable for several reasons besides that. Not a bad way to start a movie, that’s for sure. The kicker, too, is that the audience is told straight away that this is Hannaford’s final day on Earth. The movie-within-a-movie spoofs both the Golden Age of Hollywood and the experimental cinema that punctured much of the late-1960s. Private LifeĪ previously-lost Orson Welles film, The Other Side of the Wind features Jake Hannaford, an elderly Hollywood director, hosting a screening for his new movie, also titled The Other Side of the Wind. It’s all directed, written, and shot by Cary Joji Fukunaga, who’s gone on to direct No Time to Die, and you can see why Bond’s producers liked him. And no less of a revelation is the young Abraham Attah as Agu. You watch him groom a child for war and perform several war crimes, and yet, somehow, you still find yourself wanting to root for him. In a movie that’s equal parts thrilling and harrowing, Idris Elba delivers an absolute masterclass in his role as the commandant. Beasts of No Nation plays out in just as bleak a manner as the premise suggests, leaving the viewer morally conflicted and emotionally exhausted. One of Netflix’s very first productions was a bold proposition indeed a war movie in a fictional African country, performed for long stretches in Twi (a dialect of the Akan language spoken in Ghana), about a child soldier groomed for violence by a simultaneously terrifying and magnetic commandant. What really resonates are the shocking parallels to the current political landscape, the death of George Floyd, and the ensuing protests that were met this summer with tear gas. Trial of the Chicago 7 makes for an emotionally tough watch – though an exhilarating one too, given the torque of Sorkin’s talk. However, thanks to a heavy-weight cast (Eddie Redmayne, Sacha Baron Cohen, Jeremy Strong, Joseph Gordon-Levitt) this is as gripping as they come. An eighth defendant, Bobby Seale (played here by Yahya Abdul-Mateen II), was also bundled into this "all-star team" of revolutionaries by Richard Nixon’s Attorney General John Mitchell.Īaron Sorkin could have directed this as a straightforward courtroom drama. In September 1969, seven members of the radical left were lumped together and charged with conspiracy and inciting to riot the charges related to anti-Vietnam War and countercultural protests held in Chicago during the 1968 Democratic National Convention. The desperate, eloquent force of his performance gives this muscular film added punch and poignancy. Boseman’s wiry, angry Levee brings the film’s real charge, however, giving every rippling horn improv, fierce God-taunting rant, and soft-shoe shuffle the urgency of a man racing to make his mark with his art. The film is swept along by its two potent central performances, Davis generating hefty diva-power with her proud, obstinate, blues-preaching Ma, determined not to be reduced to a ripped-off voice. The film is adapted from the August Wilson play of the same name, and Denzel Washington produces. Containing Chadwick Boseman’s final performance, Ma Rainey’s Black Bottom stars Viola Davis as the eponymous Ma Rainey, a singer known as the "Mother of the Blues." Set across the course of one afternoon in 1927, tensions rise as Ma Rainey challenges her manager and producer – while Boseman’s Levee, a trumpeter, has ambitious plans of his own.